
Before I forget, did you know you can subscribe to this blog? I’d forgotten that was a thing. Anyway, yeah. If you really want to punish yourself, there’s a button now at the bottom of the home page. Just put in your e-mail, and you’re part of the fan club. Speaking of subscribing . . .
I’ve been subscribing to The New Yorker magazine for maybe forty years now, but only in the last five years or so have I not been throwing out the issues. I do not know why this has happened. But now that it has, I’ve decided to make something of it and, every morning or two, I randomly choose from the stash one short story to read. I originally subscribed in my 20s as part of my personal Great Leap Forward, in which I was frantically trying to get up to speed on the tastes and lore of the Educated Class. I had been raised with books on our shelves, but besides Bibles and Bible commentaries, they were mainly the gilded spines of Reader’s Digest Condensed Books. Even at my Christian college, it began dawning on me that there was a whole group of Americans I’d been only dimly aware of who did not read the Reader’s Digest.
I’ve always said it is no mean thing to subscribe to The New Yorker solely for the cartoons. It’s a little profligate, given the amount of paper used on non-cartoon content, but it’s still worth the money. I think I first discovered New Yorker cartoons via an anthology at my friend’s mother’s house. They were the first cartoons, in my 19-year-old opinion (this was before The Far Side), that gave Peanuts a run for their money, though they obviously weren’t in the same race.
A tombstone inscribed, I Told You I Was Sick.
A king answers the phone: “It is we.”
And anything at all by George Booth. The best ones feature pronouncements shouted from the bathtub, electrical wiring not up to code, and/or constipated dogs.
As I began my New Yorker story devotional regimen, the first thing I realized was that I haven’t been at all rigorous even in the weekly cartoon review. Which of course is scandalous. There were complete issues in which there was not one cartoon I remembered. I blame social media, of course, and there can be nothing more damning of vacant-eyed scrolling through reels of dachshunds cocking their heads at giggling babies than the fact that I missed stuff like a gentleman and a lady at a mid–19th century soirée, in which the man introduces himself, “Mr. Karamazov is my father’s name. You can call me Dmitri, Mitka, Mitya, Dima, Mityok, D-Man, D. Doggy-Dogg . . .”
Some stories are better than others, of course. There used to be a typical “New Yorker story,” though I’m not sure that’s a thing anymore, at least not in my reading over the last month. Think John Updike or John Cheever. White, middle-class suburbanites, cocktail parties, whatever drama there is is usually going on in someone’s head. Sometimes longer than they needed to be, or at least longer than people’s attention spans were getting to be. “Character driven.” Moody, ambiguous ending. If I’m making this kind of story sound like a crashing bore, I can assure you the best of them would stay with you for weeks. Forever, a couple of them. Cheever’s “The Country Husband” ends with a line that’s become one of my favorite last sentences in all short fiction:
“Then it is dark; it is a night where kings in golden suits ride elephants over the mountains.”
I don’t know, maybe you had to be there. I’m a great sucker for Cheever. But then I’m an almost 68-year-old middle class white man. The New Yorker has moved on. The most “New Yorker” story I’ve seen in the old vein has been maybe “Understanding the Science,” by Camille Bordas (December 15, 2025), which takes place at a dinner party in an upper middle class Chicago apartment. The main difference is the reference to global warming. Otherwise, it’s still dinner parties and all the action is interior. Pretty good, especially in its send-up of a narcissistic movie star.
I loved “Unreasonable,” Rivka Galchen (9/29/25), which I almost skipped because there is early reference to the current political situation, something I’m generally trying to use fiction to turn away from. But that’s getting harder and harder, even in made-up stories. I’m glad I kept going. A mother, who is a bee scientist, has two daughters, and there’s lots of stuff about bees and lots of stuff about daughters, and it’s just so great. Did you know there are approximately 18,000 (or maybe 180,000? I’m too lazy to skim the story to verify) species of bee, and only a minority of them are social insects? Did you know daughters can be quite self-involved, whether they are ten years old or 21? Who’d’ve guessed? Anyway, starred review.
There are a lot of funny writers in the New Yorker, some of whom are just funny and some who are funny and, like, more. James Thurber was an early one (I haven’t read enough of his stories to know if any of the funny ones were more than funny). Back in the ’70s and ’80s, Donald Barthelme was absurdist, “postmodern” funny, and I laughed at his stories kind of the way an eight-year-old who’s the only kid at the table laughs along with the adults, and hopes someday he’ll get it. George Saunders has been huge and is one of my current favorites. I’ve never seen a writer who can be so vulgar and occasionally violent and maintain the comedy and wrap it up in enough generosity to make you weep and think maybe human beings aren’t all homicidal monsters, all evidence to the contrary. Another funny writer is Sam Lypsite—“Final Boy” (10/27/26). “Besides, what does Bennet know? He’s practically dead. Before he got that way, I was in Amok Mocha, where I like to sip cold brew and . . .” so forth.
Another often funny writer is Nell Zinc, though “Welfare State” (12/29/25 & 1/5/26 combined issue) wasn’t funny. Well, it wasn’t a laugh riot, but it was really good. An American goes on a morning hike in … Bavaria? Switzerland? I couldn’t pin it down … with her German (Swiss?) friend, who is much more into it than the American. The American eventually finds out the friend doesn’t even like her. What a switcheroo!
You get the sad stories, too. Occasionally, they’re just mopey, and thank goodness these don’t show up often. There was one recently that seemed so particularly amateurish—as if it were turned in by an undergraduate quite sure his creative block was worth reading about—that I wondered whose mother he had to have known to get his story published in The New Yorker. Others could blow a hole in you. The best of these I’ve read recently was Yiyun Li’s “Calm Sea and Hard Faring” (3/9/26). A mother remembers, many years later, her son’s challenging time in elementary school, something all parents are familiar with. But the present day is a far bigger challenge. I can’t recommend this story highly enough, though you do have to be ready for the gut punch.
No Kings
In addition to reading short stories and laughing at cartoons from older issues of the magazine, I’m also coming across Talk of the Town commentary from Trump 1.0 that is quite depressing in its observation of events we know will someday be unimaginably worse. In the issue from November 6, 2017—exactly one year after Trump’s first election to the Presidency—Amy Davidson Sorkin, wrote a piece on Republican Senator Jeff Flake’s denunciation of Donald Trump as a danger to democracy. It was his—or he thought it was his—“Have-you-no-sense-of-decency-sir” moment, hoping it might finally call his party to its senses. It did not. The center-right just withered away, and we are left today with Democrats (for what they’re worth) on one side of the aisle, and a cult of personality on the other. And all the chaos and devastation that Personality promised us.
Before I started my little morning reading hobby, I’d been thinking of writing about messy democracy—why it’s inherently messy, why it’s good that it’s messy, and why its mess has worked so well in the world, generally, for the last two generations or so. But that’ll wait.
For now, it’s just important to make a stand for it, this Saturday in particular. No matter where you are, whether or not you walk in one of the thousands of No Kings marches that will be happening across the country, please do join in solidarity. It could be a t-shirt, a sign in your window, or just a comment in a check-out line. Just show up Saturday, one way or another. Marching would be best. Show the cult what they’re up against.